Admittedly, the last major sets of folksong arrangements, the Forty-Four Duos for two violins and the Székely Foksongs were written at the beginning of the 1930s, but Bartók composed a few smaller pieces afterward. His first endeavors in writing folksong arrangements, towards the end of 1904, followed shortly Bartók’s first folksong transcriptions during the summer of that year. Moreover, the genre is not confined to certain style periods it is present throughout Bartók’s career. Folksong arrangements hold a significant place in Béla Bartók’s oeuvre: more than a third of his compositions are folksong arrangements or contain movements built on folk music material.
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